** SONY SW RECEIVER PAGE ***
N9EWO
Reviews / Views :
- ICF-SW7600GR (last
model)
-
ICF-2010 (ICF-2001D) (best model)
- CRF-1 (worst
digital model)
-
ICF-6500W (LCD digital display)
|
N9EWO Review
SONY ICF-SW7600GR
(2001~2016)
Sony's Last SW Receiver
|
Sony's
LAST SW Receiver : The ICF-SW7600GR
Was discontinued in early 2016 and Sony's exit with SW Receivers
(Sony
Photo)
N9EWO's Review on the
Sony
ICF-SW7600GR Portable SW Receiver
(NOTE : I do not own this model, used a test sample for this 2001
light review)
Serial Number On Test Sample : 1092x
COUNTRY OF MANUFACTURE: Japan
Discontinued
Receiver
Added Features / Made
In
Japan
Made in good old Japan, but as you read the text below one
wonders if corners were not cut inside in order to achieve this
status ??
The first thing that hits you from the older black cased "G"
model is the silver color. I preferred the black color better.
100 memories , which is a big plus. You can also scan the memories as
well, which for many is good news as well.
As does it's lower cost sibling ICF-SW35 (also discontinued) , the
"GR model has a variable attenuator , that also includes a switch.to
turn it
off. So one can " preset" it, and switch it in when
needed. Very handy indeed , especially when using a external
antenna of some sort.
The "lock" switch is better implemented over the G model. It is not a
"plastic" blocking piece that held the power button
from being pushed as it was in the old "G" model . It
now is a "real" button. Much better.
A bit of button cramming was needed to include these 2 new
buttons on the front . These would be the "page" and
"scan" additions. Other than that, we have pretty much
have the same basic layout, with a exception on the left side.
A Variable "ATT" Control
You can see this on the low cost ICF-SW35 (first Sony set I know
of to use this), this "GR" model has a knob on the
left side near it's external antenna jack called "ATT"
(attenuator), along with a switch to turn it on/off. Great plus
here and works well.
This is of course one that Sangean has offered for some time on
the much older ATS-909 (Radio Shack DX-398) and the newer ATS-909X
model. But Sony went
one better with the added switch.
Sensitivity To Weak Signals Could Be Better (using whip
antenna)
Using a late sample ICF-2010 for comparison, this "GR"
sample was wimpy with weak signal sensitivity using the on board
whip antenna's. A signal that could be heard weak on the 2010
also using it's attached whip (but still very much listen-able)
was awash this Sony set. Of course on a external antenna all
faired better.
Also a certain (but not serious) amount of low-level (white noise)
background noise was heard even with the strongest of signals.
Not excessive, but a comment that needs to be pointed out. Even
with the sync on, it does not make a difference here with this
noise.
Serious spurious "image" signals
Here is one that really surprised me. Punching up 4915 kHz in the
later evening using it's own whip antenna, I received WEWN
crystal clear. Humm, well it turned out to be receiving the
"power-house" WEWN's freq of 5825 on 4915 KHz (so a
910 kHz image signal). Test's with other strong signals in other
higher bands proved this problem even stronger (this was not
overloading).
Mind you it takes a strong signal to hear this, but again on the
ICF-2010 it hears no such image signals. The other 2 major
problems with the "GR" to me is audio quality and
muting when tuning (see below).
Fair To Poor Audio Quality With AM signals, Very Good SSB
reception for price. One Bandwidth Filter..
With a set with only having one tight bandwidth compromise filter,
this can be expected. But it really takes away the keen side of a
generally good sync detector.
It's audio is on the muffled side and was hard for me to listen
for any length of time on any AM mode signals. SSB signals fare
much better.
Matter of fact the SSB is a far better treat on the ears, and
with the variable control allows for better SSB than it's older
2010 sibling (only having a 100 kHz fine step).
NOTE: There has been talk around the internet over
the years with the SSB "fine tune" and volume control's
failing after normal use (become noisy).
The set desperately needs a second wider bandwidth filter. This
would indeed improve audio quality. One could make the comment,
"well it would add to the price of the set". So be it...and
of course the Grundig YB-400 has 2...so why not Sony ??
Muting a Royal Pain for any Band Scanning at 5 kHz steps...Auto
"scan" somewhat useful..
As the case is with many sets around this price point, people who
like to manually tune around will find the ICF-SW7600 "GR"
a disaster. It's muting circuit will make a user climb the walls.
It's a tune and wait, tune and wait situation here, and frankly
it should not be this way period.
Good news is that if you use the 1 kHz steps, once you get moving...the
muting drops out, so you can indeed tune without this happening,
but at 5 KHz steps forget it (you are stuck using scan or poke up
the band). The "scan" works, but tends to stop off
channel more than not.
Another missing needed feature as on many other compact portables which
the "GR" is lacking is a tuning knob (encoder).
Good "Sync" most of the time....Not to the ICF-2010's
Standards
The "sync" function along with it's tight bandwidth
filter does a very good job in reducing or totally canceling out
adjacent channel interference (as it did in the old "G"
model). However it does NOT improve audio quality to my ears.
It still does not equal the "sync" circuit found in the
ICF-2010 model (not even close). It does not hold lock at all or
very poorly with the weakest signals that the 2010 is still
hearing just fine. Signals where the "GR" losses lock
and groans are still holding lock very good on the 2010.
Once in great while it might loose lock even on a super strong
signal and give a little hiccup. I can be a bit of a annoyance
but is not a major problem (but is a nasty downside anyway). Even
a bit of excessive distortion on fading peaks shows it's ugly
head once in awhile.
Being what the "GR" price was sold at, the sync works well
and is most worth it. But if someone is expecting the sync
performance of the 2010...forget it !!!
Every Jack You Can Think Of.....
This set is still comes loaded with every connecting jack that one
could
imagine.
Of course "external antenna", power, headphone jacks
can be found. But where Grundig (Sangean, and some Degen sets too)
misses this boat on all of their compact portables, Sony has
still sees the importance of a "line output" jack for
tape recorder use on the "GR". This is BIG plus with me,
and I wish others would see this as well (along with a tuning
"encoder" knob of some kind).
Was a Great Set at a Great Price / Now Discontinued
For the money spent, the ICF-SW7600GR was a fine "Made in
Japan" value. A pity that Sony did not make a few additional
improvements in the audio quality and excessive muting that would
have even made it more of a winner over it's years in production. Even
if the price would have
increased $ 50. for an additional wider bandwidth filter.
In early 2016 the ICF-SW7600GR
was discontinued and was the "end of an era" for Sony and sales of
short wave receivers.
Dave N9EWO
© N9EWO, all rights reserved
ver 3.2
N9EWO Review
SONY ICF-2010 (ICF-2001D) (1984~2003)
Sony's "Best" Portable
SW Receiver
|

In our view the ICF-2010 was Sony's BEST SW receiver they made.
It was known as the ICF-2001D
outside North America.
Overall it even beats out the super expensive CRF-1 easy (as tested see below).
But just as with the eton
e1, it too had it's share of nasty
quality control issues over it's 18 year life on the market.
N9EWO's Review on the
Sony
ICF-2010 Portable SW Receiver
Approx. Serial Number On Test Samples :
Sample One : (not documented)
Sample Two : (not documented)
Sample Three : 3551xx
Sample Four : 3655xx
COUNTRY OF MANUFACTURE:
Receiver : Japan
Included AC Adapters (3 different were included over it's history with
USA samples, see text) : Japan or China (varies with vintage)
Discontinued
Receiver
The ICF-2010
(ICF-2001D)
.......A Bit of History
The long discontinued Sony ICF-2010 has to go down as one of the
longest
running manufactured short wave receivers of all time, tabletop or
portable. It was
released in the last days of 1984 and was sold (in the US
anyway) until the first days of 2003. It was sold in other parts
of the world as the ICF-2001"D". I have owned 4 samples
over the years.
I can remember the first ICF-2010 I had my hands on to play with back
in January 1985. It was indeed a big deal. Early versions
suffered from a bit of excessive hiss. Iindeed the first
sample I tested back then was more hissy than later serial
numbers I have actually owned. Even just a year later.
Sony had done a few (minor) changes with the innards over the
years. 1984 surface mount parts in consumer products were very
early in the ball game, when the 2010 came out it used strange
"quazi" SMD parts (the resistors still had color bands
on them). I cannot say actually when, but in later years this was
changed to standard SMD parts that we see today.
Also diodes were added (tacked) to the rear of the smaller PC
board near the jacks near the antenna terminal. This was to help
with the destruction of the front end FET's from static when using
a external antenna. IMPORTANT NOTE : But I would not put much
trust in this, still best to pull a external antenna from the set
when not in use. I never had a sample where I blew the front end
FET.
About the only other changes that I'm aware of is with the
included AC adapter. 3 different ones have been included since
1984.
Sony
ICF-2010 "Included" 4.5 Volt AC Adapters (for USA 120VAC Versions, see
photos below)
EARLY
SAMPLES / * AC-120W : 600 ma (Japan)
MID SAMPLES
/ AC-D3M : 400 ma (Japan)
LATE SAMPLES / AC-D3HG : 700 ma (China)
This last "made in China"
version AC-D3HG is rated 4.5V
@ 700ma..a bit higher current rating than the 2 before it (also is a
big bigger and heavier). I
also found this adapter to be a bit cleaner (no low level
hum) over the 2 older Japanese ones. Of course the actual radio always
came from Japan. None
of these AC Adapters were regulated and tend to run at excessive over
voltage even when loaded (more so with the AC-120W and AC-D3M). WARNING
: As it was back in the day, Sony used a negative tip on DC Input / AC
Adapters ! Even worse there is NO reverse polarity protection diode
inside the receiver. So if one accidentally uses a positive tip
adapter, disaster will occur !
* - The AC-120W was also was sold
with the original Sony
ICF-2001 from 1980 to 1983 with USA samples.
For European and Asian markets it was
sometimes sold with the Sony AC-122W
which featured adjustable input and output voltage switches. (N9EWO Photo Edit)
A few quality control issues over the years.....
Yes, have experienced a number of little quirks over the years in the
quality dept.with 2010's.
In the late 80's I had 2 "Brand New" defective samples
in a row. One was pretty much DOA, the next one did not work
right above 20 MHz (unit just sputtered). So in this time period,
I gave up on the 2010. But in 1994, I purchased a new sample that
worked perfect (serial number in the 355xxx area).
Other little very minor cabinet flaws that I have noticed: The
mounting of the little brushed metal strip just above the LCD
displays tends to vary in assembly via the factory. Sometimes it
sticks out more than it should or mounted crooked. Has always
been this way.
The whip antenna when viewed "de-telescoped" and in it's
holder, as viewed from the straight on from the front of the set...well
looks like it was not installed right, is not all the way down in
it's holder (they are all like this), it sticks up a bit on the
elbow end. This again is normal.
With my last sample (serial number in the 365xxx area) , the AM
RF gain control is very sticky and just about impossible to slide.
Thank goodness this is rarely used with me. All of my older
samples never had this one.
One sample that I had purchased from a friend in the late 80's,
the headphone jack was loose and lost making contact. I simply
removed the rear panel, hit the contacts of the jack with a
soldering iron and some fresh solder/rosin and all was fixed.
Another was the good old memory "2 AA" battery contact
problem. Most ICF-2010 owners already know about this one, but this was
really bad in the early days of the set. With the same friends
set above...the actual plastic support on the +
contact cracked from just the stress on it. Well of course it
lost contact and the set died. I took a bat cover from a plastic
1/8 inch phone plug, filed it down a bit to fit between this
cracked support and another plastic piece next to it (used a bit
of super glue to hold it in), and he never had another problem
with it.
Why was the ICF-2010 so great ??
When Sony had the ICF-2010-2001D on the drawing board, I think
they were really trying to replace the landmark ICF-2001 model ?
The ICF-2002/3 which came out in between these 2 sets was just
was a entry to address the keypad failure that plagued the 2001 (with
most of them too). Also to put that fiddly "antenna"
tuning control behind them and a bit smaller size.
But if the 2010 were to hit the market place any earlier, we more
than likely would have not seen the "Sync" circuit ?
Yes, the # 1 good thing about the 2010 that I like is the
"Sync" mode. Not only does it decrease the fading
distortion on SW signals, but also co-channel interference. Most
important, we have a nice wide approx 11 kHz "bandwidth" filter
to be able to use with it. All of the more current Sony sets
suffer badly in the audio quality area due to the use of ONE too
tight bandwidth filter. I know many will say I'm crazy, but you
can keep your after market "Narrow" filters ( I like the
stock filters and audio). Even the SW-77 which has 2 filters..and
well it's wide is way too narrow for my tastes.
The stock provided second IF 455 kHz IF filters are (Murata Ceramic).
Narrow AM / SSB mode 6 element 4.4 kHz : CFW455JT
Wide AM mode 4 element 10~11 kHz : CFU455G
In my view, Sony has NEVER equaled he "sync" mode
performance with any other model. The ICF-2010's sync locks on the
weakest of signals, and stays locked (no burps). And most
important does not degrade the audio of a signal when activated (unlike
the sync in the old JRC NRD-535).
It's audio quality with the "Sync" on is very good,
however a bit of distortion can still be noticed. More so on the
peak of a fade, a bit of general distortion does poke through.
This is when compared to the AOR AR7030 or Lowe HF-250. But being that the Lowe HF-250 is one of the the CLEANEST sounding HF receivers ever manufactured..that's not too shabby.
I have found on my "made in 2000" sample, the
audio is a bit more sharp and clearer. Not sure if this is a
sample thing or not ?? Direct side by side test vs my 1994 sample.
A great feeling keypad. You are not directly touching your
fingers on "rubber" keys either. It has a carbon-contact
rubber type mat BELOW that actually makes the contact. Only after
quite a few years use do might see a bit a "less spring"
to them. But usually hold up well even then, provided that the
set was not used in a excessive dusty / dirty area or really
abused. It might take a bit more "push" of a button to
make it contact after a number of years of use, but usually no
more. As you might remember, this type keyboard started with the
ICF-2002 model. No painted keys either, the SW-77 and SW-55 both
used PAINTED keys (and yes it can and does wear off with only
normal use). However the numbers can indeed wear off the 2010's keypad
with excessive use.
And with that keypad we have "one touch" memory access
for the 32 memories. Some would rather have alpha tags and all of
that stuff (fewer buttons), but me..I'll take the separate
buttons any day. The alpha tags and pages of memories can go fish
with only 32 memories.
Oh.....we still have painted plastic all over the place, but at
least a nice brushed black METAL bezel over the entire keypad
really helps the old "finger rub" problem. We could
have wished for this over the entire front (like around the
volume control)...but can't have everything.
For the most part excellent sensitivity, and a nice line out jack. Even
if it's only at the "very low" mic level, just use a decent pre-amp to archive proper line level such as the Rolls MP-13 (as tested). Above
average 10 LED s-metering round out why I still like this set.
Oh yes we cannot forget about the tuning knob. This set has it
and works just fine. A must have indeed !!! However I would have
liked to seen a 5 kHz step for the SW bands.
On the Downside....Discontinued in Early 2003
Well it's not perfect, and what is.
For starters this is NOT a set for any serious SSB listening. It
does not tune fine enough, only 100 hz steps. Also there is an
excessive amount of clipping distortion is present. This was noticed much
more on my latest "late 2001"sample (serial number in
the 365xxx area). Fiddling with the RF gain control can help a
bit (decrease the input level), but does not really fix the
problem. If you plan on doing most of your listening on SSB,
better choose a different receiver, even the ICF-SW7600GR pars
better here. But for SW/MW broadcasting that uses AM mode..the
great sync/wide bandwidth filter more than makes up for this for
my uses.
It can overload on a good external outdoor antenna, more so
during peak signal strengths (say 41 and 49 meters at night). The
attenuator usually fixes the problem, but not always.
Again in my view overall it was the best SW receiver that Sony EVER made, quirks
and all.
Dave N9EWO
© N9EWO, all rights reserved
ver 5.4
Sony ICF-2001D / ICF-2010 Links and Other Reviews / Additional
Information (all subject to change without notice)
Sony ICF2010 /
2001D radio user group (Groups io)
Sony
ICF-2010/ICF-2001D – An All-Time Classic - Jay Allen
eham Reviews : SONY
ICF-2010
Receiver Review:
Sony ICF 2001D / ICF 2010
Sony
ICF-2010, Error.3
Repairing the Sony ICF-2010
Sony ICF-2010 1st RF FET
N9EWO Review
SONY CRF-1 (1980~1986)
Sony's
Worst "Digital Display" SW Receiver ?
|
The "semi-professional" Sony CRF-1 (all samples were manufactured in 1980).
RF performance is the best Sony ever produced with a SW set. Ergonomics is another story.
See the 2 inside rear cover pages in the 1980 World Radio TV Handbook.
(Yes, I did indeed owned TWO of these and was a royal
pain to use !!) (N9EWO
Photo)
N9EWO's Review on the
Sony
CRF-1 Semi-Professional HF Receiver
2 test samples were used for this report
Serial Number Test Sample #1 : 1042x
Serial Number Test Sample #2 : 1022x
COUNTRY OF MANUFACTURE: Japan
Discontinued
Receiver
PRO :
- FOUR separate "Balanced" FET RF Amplifiers used before first mixer.
- Eight front end filters.
- No band selector tuning (see con).
- Near excellent dynamic range (provided manual preselector is properly peaked).
- Preselector bypass switch (see con)
- Rock solid stability (PLL mode, knob pushed in)
- Die Cast chassis with individual circuit compartments.
- Die Cast front panel / steel metal bottom (see con)
- Very sensitive (whip or external antenna, provided manual preselector has been adjusted properly).
- Three well chosen bandwidth filters (see con).
- Above average audio quality (Wide 10 kHz filter helping greatly here).
- Excellent "hiss free" SSB quality and stability (see con).
- Robust LED frequency display with 100 hz resolution (see con).
- Novel AC Adapter that fits into battery cavity (input voltage selector switch for most markets) (see con)
- Excellent VLF / LW performance even down to it's 10 kHz low coverage specification.
- Super long and beefy stainless whip antenna.
- Useful Noise Blanker.
- Pre-amp buffered fixed level line output (plus is also at the proper line level).
- BNC external antenna connector, plus 50 ohm terminals. (see con)
- Separate whip and external antenna attenuators.
- 4 inch top mounted speaker.
- Manual AVC adjustment.
- Mini phone jack / plug (mono) external speaker jack.
- Optical encoder used with PLL tuning (knob pushed in).
CON :
- Rubber belt / ring that is used with PLL tuning (knob pushed in) gets gooey and then fails to tune. NOT easy to repair !
- Totally insane ergonomics.
- IF bandwidth filters are NOT independent of mode.
- SSB offset tuning required.
- Manual preselector adds VERY annoying operational step.
- Course 100 hz tuning steps (actually 50 hz in use ?)
- Generally noisy synthesizer.
- No tone controls.
- No AGC adjustments.
- S-Meters likely to stick in some way with most samples in it's old age (just like with the CRF-320 and CRF-330).
- Sony's custom CX-764 LSI is prone to failure in it's old age.
- It's 4 dial lamps are prone to burn out in only limited use (some replace these with LED's).
- Painted plastic top and battery cover.
- Not too portable at near 15 pound weight (6.6 kg).
- Rear external DC input jack is using NEGATIVE TIP !
- Internal AC Adapter is NOT regulated and second test sample transformer hummed fairly excessively.
- When preselector OFF switch is engaged, sensitivity drops severely.
- Contains TWO dial strings (main dial and preselector pointers).
- Two different AC power supply sockets used. (one for USA and another for the rest of the world)
- No high impedance antenna input.
- Poor rear panel jack markings along with equally super tiny front panel icons.
- No internal LW or MW loopstick antenna.
- All phenolic PC boards (no fiberglass types used).
Approximately 6 Year Life on Market / Rare Bird with Only 2 Productions Runs in 1980 !
Sony's "Semi-Professional" CRF-1 came onto the market
in
mid 1980 and never sold well with it's steep price tag. US list price was
a shade under $ 1800. USD. Street price was between $ 1200 and 1500.
USD over it's 6 year life on the market. Was introduced along side the ORIGINAL ICF-2001 (see the 2 inside rear cover pages of the 1980 World Radio TV Handbook). Problem was the CRF-1 was outdated before it even
came to market.
Seems that only TWO 1980
production runs were done
(Serial numbers : 10xxx and 11xxx) ? Appears a third production run was
scheduled in 1981 (Serial numbers :16xxx), but from what we can
ascertain this never happened ? So
it appears that only < 1500 samples of the CRF-1 were ever
manufactured (from viewing long period internet data collected with used market samples) ?
Perhaps due to important parts already
becoming unavailable
and or the downright dismal sales of the model ? If
you look around the internet you will actually see a supplement service
manual for this production run (Serial numbers 16xxx).
Metal - Plastic Body
Cabinet
construction : Metal
bottom, painted plastic top / battery cover and bare dark gray plastic rear panel.
Die - cast
painted metal front panel and chassis with separate PC board
compartments. BNC external antenna connector on rear. Super long ROBUST stainless telescopic antenna.
Is a pain to read any of the rear panel markings. WARNING: The external 12VDC DC input uses NEGATIVE tip polarity.
Stellar Front End Filtering and FOUR BALANCED Pre "1st Mixer" RF Amplifiers.
We have EIGHT "front end" bandpass filters with the CRF-1. Note : Whip antenna use with the RF attenuator ON bypasses these filters.
Those ranges are :
- 0 to 400 kHz
- 400 to 800 kHz
- 800 to 1200 kHz
- 1200 kHz to 2.0 MHz
- 2.0 to 4.0 MHz
- 4.0 to 8.0 MHz
- 8.0 to 16.0 MHz
- 16.0 to 30.0 MHz
The CRF-1 uses a RF Amplifier just before the first mixer (55.845 Mhz). However 2 HUGE pluses Sony did here. The first is the use of FOUR separately tuned FET circuits (these are tied into the preselector ranges).
- Preselector bypass (broadband)
- 150 to 400 kHz
- 400 kHz to 4.0 MHz
- 4.0 to 30.0 MHz
To top that off these are all of a BALANCED design.
So yes uses TWO FET's for each one of these RF amplifiers. Professional
design of this RF section gives for a more linear and cleaner stage. You just
don't see this expense used with many receivers back in the era or
even well after.
Dynamic Range - Sensitivity - 3 IF Filters
Decent
dynamic range when connected to tuned outdoor antenna and the
preselector has been properly peaked. Excellent
sensitivity with it's super LONG whip antenna or external antennas
(external antenna jack is a standard female BNC type). Just as
sensitive as any other decent HF receiver. Again this is of course
provided that the preselector has been properly peaked on the tuned
frequency.
TIP : Being as old the CRF-1 samples are now, we treated the top 4 position attenuator switch with Deoxit D5 just as with the Kenwood R-1000
(a very common but very easily fixed problem). Resistance can easily
occur with oxidation on switch metal contacts in time for much reduced
sensitivity.
WARNING :
Be extremely careful doing this as the cold spray from the propellant
can sometimes crack aging plastic in switches and variable controls ! You have been warned ! IMPORTANT : Remember that the CRF-1 uses JIS type screws and requires the proper JIS screwdrivers (are NOT Phillips). See our links page for more information on JIS type screws and screwdrivers.
Yes we have a manually tuned preselector required to fiddle with
(normal for Sony in
this era). This makes for the already insane ergonomics even worse (as
we cover next). It does have a pre-selector bypass switch, but this
engaged greatly
reduces sensitivity.
I will admit that AM mode audio was
excellent overall especially in the super wide 10
kHz bandwidth selection. SSB mode performed well too without any
excessive IF hiss that greatly plagued the Icom IC-R70 (as tested). SSB
performance is way above average for Sony receiver. SSB requires offset tuning when
coming from / to AM mode (another normal trait for the era).
The stock provided second IF 455 kHz IF filters are (Murata Ceramic). They are NOT independent of mode.
Narrow SSB / CW modes 11 element 2.2 kHz : CFJ455K14 (similar to ?)
Narrow AM mode 6 element 4.4 kHz : CFW455JT
Wide AM mode 4 element 10~11 kHz : CFU455G
[Note : The CFW455JT and CFU455G AM filters are also used in the ICF-2010 / ICF-2001D models]
Sony CRF-1's three IF Bandwidth Filters.
The CFW455JT and CFU455G AM filters are
also used in the ICF-2010 / ICF-2001D models. (N9EWO Photo)
Sony's Worst "Digital Display Receiver ? / Minimum 100 Hz Tuning Steps ?
Why in our view the CRF-1 is Sony's WORST "Digital Display" SW receiver ever made ? It goes
down for the biggest pain in the rump as far
as ease of operation I have ever used on a SW receiver, portable
or tabletop. Just downright horrific ergonomics ! EVERY 100 kHz you have to pull the knob out to slide
over to the next 100 kHz segment (then push it back in, then find
were you were in that segment as it will be random).
After saying this most owners get used to this strange tuning
scheme in time (however some may want to throw it out a window after awhile).
Even if the CRF-1 tuning uses an optical encoder with PLL tuning
(knob
pushed in), the finest tuning step APPEARS is 100 hz. But this coarse step is also
valid
for the later ICF-2010 (ICF-2001D) model (as reviewed above). However strangely in
testing we were able to archive 50 hz steps with careful tuning ?
General tuning feel with the second test sample was (in our view) quite stiff and rough, even
more so when the knob in pushed in (PLL mode). This very well could be
dependent on the condition of the all important rubber ring / tire that
is used in PLL tuning mode (see very important information on this below) ?
Weird "Search" Button can double as second VFO of Sorts
One of the CRF-1's three pushbutton on the front panel just below the
volume control is marked as "Search". Function of this button is when
tuning with the knob pushed in (PLL tuning), when you press the
"Search" button to see what tuned frequency would appear if the knob
was pulled out. If a second signal is within the 100 KHz segment and
you very carefully tune to frequency one before you push it the knob
in, you can use this button for a quick frequency check.
Very Unique and Novel AC Power Supply / 2 Different AC Sockets Used
Included selectable input voltage ACP-122W analog power
supply went into the empty battery cavity. It's a normal
transformer analog supply being used here, it's NOT a switching type. From viewing the service manual,
we see 2 different type of AC sockets were used on this power supply
(both 2
pin). With North American versions it used a un-standard D- square type
connector (brown AC cord). For everywhere else in the world it used the
more standard figure 8 type socket, commonly used with most laptop
computer power supplies (black AC cord). The Japanese domestic version
(ACP-122 no W) was wired for only 100 volt operation. Had no switch on
the bottom.
With the second test sample the power transformer in the ACP-122W hummed disconcertingly even when turned off at near no load (old age issue ?).
One can tell just by just looking at the S-Meter on a
CRF-1 to indicate which of the two 1980 production runs it is.
(line is missing with 11xxx Serials).
Sticky S-meters are a common bug with all elder CRF-1's .
(N9EWO Photo Edit)
SONY CRF-1 FAILURE WARNINGS (it has many) :
- Total
"Synthesizer Failure" is common with the CRF-1. The "Sony Custom Made" CX-764 IC that goes out can no
longer be purchased (see photo below).
- Other synthesizer transistors are also prone to failure aside from the CX-764.
- “Repair
of a Dead or Slipping VFO” (this issue is repairable) :
There is a
fully repairable issue that plagues MOST (if not all) CRF-1 samples
sooner or later. Here the receiver refuses to tune (or is intermittent)
when the knob is pushed in (PLL Tuning LED ON). What happens here is
there is a rubber track around a spindle in the tuning gear box
that becomes gooey and shrivels to nothing (or near it). So the optical
encoder
does not see the knob being turned (or skips). Some
have fixed this with a common hardware store "O" ring
around the defective rubber track. This is quite involved work to
repair as the entire front panel has to come off and the gear box needs
to be broken down. Plus may also require some dial cable restringing
(if not done carefully). See
this link for more information (if available).
John KB5AG reports using a piece of black electrical tape around that wheel
(after cleaning up the belt goo), and that works in pinch. Here it does
not require dissemble of the front panel, however this is not going to
be easy to do and does not give a very smooth feel.
There is one other rubber ring in the tuning gear box, but this one appears to hold up better with age ?
- S-Meter's in most CRF-1's "Stick" in some way in it's old age.
With most samples the S-Meters stick in some way while other times just fail all
together (needle doesn't move at all).
- Rubber like (plastic ?) tracks around the volume and pre-selector controls dissolve into nothing. The main tuning knob has also been known to crumble into nothing.
- Volume Control
tended to get scratchy even with light use from brand new (and many have failed completely in it's old age). Cleaning with say "Caig Fader Lube F5" usually
does not help here (but try it). It normally must be replaced which is not
easy as
it's a dual type with the MGC adjustment in it's outer ring plus the
values of the variable controls are a bit off the standard.
Additionally it is NOT not easy to get at ! WARNING :
Be extremely careful doing this as the cold spray from the propellant
can sometimes crack aging plastic in switches and variable controls ! You have been warned ! Also on the second test
sample the nylon insert cement inside the volume control knob failed
and slipped in rotation (easily fixed with super glue as long as the
nylon has not broken down / cracked).
- The FOUR Panel lamps
burned on the bright side and of course burned out in fast order.
Not so easy to replace as they are soldered in bulbs and use long
wires, but not difficult for ones who are electronic handy (even
convert to green LED's).
CRF-1 was Sony's best SW Receiver for RF Performance , but also the biggest PITA for Ergonomics ! A RARE bird !
These are offered on the used market once
in awhile for excessively stupid CRAZY prices.
Most samples offered these days in the used market are in downright BAD
condition. Good condition used
samples are hard to come by as most who own these hang onto them for
dear life even with it's known failure issues (the mighty Sony
collectors). Remember there were only about 1500 of these pricey receivers EVER
made, so makes it very scarce.
Being these are now 40+ years old and prone to many old age issues
(some being NOT repairable), just about any more modern
used HF tabletop receiver will be a better choice and at a much more attractive price to
boot.
Dave N9EWO
© N9EWO, all rights reserved
ver 6.5
WARNING : The Sony CX-764
custom IC is very prone to failure in the CRF-1's. It contains
the synthesizer , frequency display/counter and control
circuits all in this one IC. Of course parts are no longer available. So if it dies, turns the CRF-1
into a great looking expensive paperweight.
I will NOT be held responsible for any info that is listed here ALL DONE AT YOUR OWN RISK ! |
Sony CRF-1 Links and Other Reviews / Additional
Information (all subject to change without notice)
N9EWO Review
SONY
ICF-6500W (1981~1984)
Dual Conversion Portable SW Receiver
|
Sony's Dual Conversion "Digital Readout" SW
Receiver in very late 1981 to mid 1984 : The ICF-6500W.
This short lived model was Sony's answer to compete with the Panasonic
sets of the day. Quite sensitive on SW and MW with excellent audio, however can be like
the Panasonic sets from the 70 / 80's, (but not as bad) as it can "drift" a bit in use (even worse if the two
L-O-N-G SW Band Selector switches are not kept clean). No frills, no memories, basic analog set with a real LCD frequency
counter. An excellent battery miser. (N9EWO
Photo's)
N9EWO's Review on the
Sony
ICF-6500W Receiver
(Tested using a
restored
sample [properly cleaned band switches] with original alignment, which
was assumed to be near original specifications and performance ?)
Serial Number On Test Sample : 1963x (this was a mid~later production
unit ?)
COUNTRY OF MANUFACTURE: Japan
Accessory Tested : Sony AC
Adapter AC-160W (Japan)
(AC Adapter was normally
included with the receiver in North
America, this varied in other world markets.)
Discontinued
Receiver
PRO :
- Above
average sensitivity on SW (see Con).
- Very good MW
sensitivity including it's
long internal loopstick (of course much
improved with a good external antenna).
- Excellent
image rejection, unique SW dual conversion design keep images
tamed.
- Good SW coverage between (approx.)
3.780 to 28.340 MHz (with a IF hole gap between 10.3 and 11.45 MHz).
- Large beefy sized "Two Speed" tuning knob that works adequately (see
Con).
- BFO for SSB reception that makes use of a product detector (see Con).
- LCD frequency display has good contrast / works properly and no
calibration knobs to have to fiddle with.
- Mechanical S-Meter and Dial /
LCD Lamp (See
Con).
- Very good "clean" un-muffled-hiss free audio quality using a
single wide bandwidth IF filter (around 8 kHz ?) to go with it (see
Con).
- Very good AGC.
- Lone attenuator switch for external MW and SW antennas.
- Record output jack (mic level).
- SW external
antenna connection screws also work with MW (See Con).
- Internally
regulated power supply circuit for all circuits (except audio
amplifier).
- Telescopic antenna swivels and rotates.
- Battery miser (see
text).
CON :
- Limited SW Dynamic Range (see text).
- The
long "MW-SW band" internal selector switch is prone to bad connections
(dirty) and even non-operation with the SW bands (usually
easily repairable, see text).
- Sensitivity somewhat less on SW3 band,
and was near deaf in the middle of this band on the test sample.
- FM
band sensitivity only OK average and selectivity fair.
- Nylon
geared tuning makes for grizzly tuning feel in FAST and still with some
backlash even in SLOW speed (is smooth in SLOW).
- Receiver has fairly
bad drift and makes makes SSB reception mostly unusable.
- Dial light
is near useless for the LCD and button is momentary only.
- Selectivity
limited
to one wide IF bandwidth.
- From internet reports, the NEC uPC1213C
audio amplifier IC is
prone to failure if volume is driven excessively hard (also be sure and
ONLY use
the included AC adapter or batteries).
- A few minor spurious signals
(whistles) "mixed"
in with strong tuned stations, but is not excessive (MW / SW).
- Excessive "feel-good" S-Meter
readings
(near all or
nothing, see text).
- Single tone control.
- No coverage of the 90 and 120
Meter
Bands, nor the upper end of the MW expanded band above 1650 kHz.
- External antenna connection does not support the FM band and the
internal MW loop is still in use with any external antenna.
- LCD's have been known to go black when
exposed to severe cold or heat.
- Difficult to service when removal of the
main PC board is required.
Sony's attractive ICF-6500W MW /
SW /
FM receiver was thrown into the portable market place in very late 1981
(or early 1982 in North America ??). Was only on the market until
mid~late 1984. Sony's answer to the Panasonic receivers of that
time, that is a low cost SW portable set with a "all band" digital
frequency
readout (using a true frequency counter). No microprocessor, no
synthesizer, no memories, no frills. It does include a BFO for SSB
reception, but as it was with most of these lower cost sets of that
era, limitations made it a painful experience to make happen.
Tuning is accomplished using a plastic
variable capacitor and "2 speed" nylon gear tuning along with a
nice
sized plastic knob. The geared tuning worked well enough, however in
FAST it feels grizzly (gear grinding and is worse in some parts than
others) and in either speed has a bit of
backlash but is more severe in FAST speed. Between this and general
circuit drift
makes for difficult use of the provided BFO for any SSB signal
reception.
It
is OK stable enough for use for AM mode stations after being
on for a short time and best in SLOW speed. Is not as nasty bad as the
old Panasonic RF-2800 / RF-2900 with drift
as experienced back in the late 70's (those Matsushita receivers were
extremely BAD in this area..!!!).
Cabinet being very light (under 2
pounds
without the 6 C type batteries installed), as one tries to "push
in-pull out" the tuning knob speeds, the receiver tends to slide
around without batteries installed. There are 2 fairly large real
rubber "cube" feet on the bottom
and those are kept clean and on the proper smooth surface (and are
still in good
shape), this can help to reduce that gremlin greatly.
No the SW coverage is not continuous (and no extended MW band coverage
on the top end). But is more than adequate.
Actual Frequency Coverage on Test
Sample :
MW : 512 to 1662 kHz
SW1 : 3.782 to 10.332 MHz
SW2 : 11.427 to 20.127 MHz
SW3 : 19.759 to 28.371 MHz
FM : 86.8 to 108.5 MHz
We loved the single "W-I-D-E" IF bandwidth filter (around 9 kHz ??) as
it
helps it's above average audio quality. Audio recovery is quite good.
But alas is not good when things
get tight (or with SSB signals) on the short wave bands. The audio is
very clean (not muffled at all), no excessive hiss and very pleasant
with
it's 4 inch internal
speaker including a bit of Bass response. Way above average for a SONY
receiver !! No slider type volume
controls to deal with either, unlike other Sony sets of that era. AGC
behaved itself nicely with the worst SW stations that contained bad
flutter. In fact it was downright excellent for it's price point. SW
sensitivity is very good even just using the telescopic whip (SW Bands
1 and 2). This one surprised us.
The ICF-6500W features a "Dual
Conversion " receiver design on the SW bands with even some front end
filtering
(separate one for each SW band). It's using the famous 10.7 MHz first
IF and 455 kHz second IF
common with other Sony sets of that era on SW. So for the coverage gap
between 10.3 to 11.4 MHz. Surprisingly it's image
rejection was excellent and gets the job done. Even the ICF-SW7600GR's
image rejection is not this good and that set uses "Up Conversion" with
it's first IF.
Dynamic range is above average for a portable set in this era. When
connected to a good outdoor SW antenna (say on 49meter band at night) ,
we detected minor receiver overload (but not all the time). The
provided single step attenuator
switch squashes this easy. Good news is this overloading is not as bad
as the Panasonic RF-2800
which has much worse dynamic range with any external antenna in use. It
is not that bad on the ICF-6500W, but is nevertheless in the mix.
Just as it was with many Panasonic
portable SW receivers of that era (including the RF-2200 / 2800 / 2900,
RF-4800 / 4900) the
ICF-6500W can (usually) also suffer from dirty band selector switches.
These are very long switches with many contacts (see photo above). It
took 5 treatments of Deoxit D5 contact cleaner over 2
days of it's 2 switches to bring the SW
bands back to life with the test sample (it sat unused for decades).
When we started the SW bands
were totally dead (FM and MW were working) !! TIP
: If a sample starts to drift excessively,
try PROPERLY cleaning the 2
switches using Deoxit D5 (be sure and clean up the over spray after).
The
LCD frequency display has excellent contrast and the test sample was
accurate even after all of the aging years. Sadly the LCD / Meter
illumination is poor with one lone incandescent lamp for BOTH and only
uses a momentary push button. It cries for
better lighting. Speaking of that analog S-Meter, (and also just like
with the Panasonic's) it "over reads". So it tends to sit at nothing or
full scale. But is still very useful for tuning and beats any lone or
even 5 LED arrangement for a indicator.
There is a very nice "fixed level" audio output jack.
However as it was in these days with Sony, they provided a lower level
output here so to
feed into a MIC input on a tape recorder (OK, Sony called them
"tapecorder's"). To provide a higher "Line
Level" output, the user will need to make use of a small external audio
preamp (such as the Rolls MP13).
FM broadcast sensitivity just as it is with most (if not all) Sony SW
receivers was about average on the test sample (perhaps a bit better
than average ??). As usual the wide bandwidth gives for mediocre
selectivity. Reception / headphone output is only in Mono but that was
normal for it's era.
MW has a nice lengthly
internal
loopstick antenna (see photo above) and gives for decent "very good" performance. One
can connect a MW antenna to the external "AM Band"
screws
located on the left side of the set which is huge plus being most SW
sets of late do not allow this .
However the internal loopstick is
still in the mix. As it should greatly improves MW performance.
The current consumption is extremely low with it's analog design. A
real battery miser !!
Measured Operating
Current [moderate volume]
(using Sony AC Adapter AC-160W, battery operation should be similar)
(loaded at 9.63
volts)
SW 1-2-3 / FM :
50ma (yes 50 ma's)
MW : 33ma (MW band
uses single conversion)
For what it is and it's original price
point the ICF-6500W was a worthy set for Sony in 1982 and even by today
standards. To our ears it actually
outperforms the ICF-SW7600GR
(review above) with SW sensitivity,
dynamic range, image rejection, much improved near excellent audio
quality and decent
speaker. IF the band switches are dirty it's circuit DRIFT which
can make it unusable and very frustrating. Importantly it does not
suffer from the surface mount
capacitor failures that inflict most (if not all) vintage Sony SW
models as it does not have any SMD parts. Overall it seems to have held
up to age
fairly well (provided the sample has not been abused) ?? In our view
better than many other more expensive vintage Sony short wave
receivers.
Dave N9EWO
© N9EWO, all rights reserved
ver. 5.7
The Sony ICF-6500W RF design was highly
based on the landmark ICF-5900W set from 1976.
Adding of course a digital frequency counter, but removing the separate
Bass and Treble tone controls.
IC-5900W also suffers from bad "dirty" connections of it's 2 long band
selector switches in it's old age.